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Share Libraries Between Aperture Users (And Use Dropbox to Simplify)

July 30, 2010 in Workflow by David Schloss 7 comments

Aperture 3’s great new Library syncing tools enable workers to quickly collaborate on projects by allowing for any collection of images to be exported as Library, which can then be used as a brand-new Aperture Library or can be imported and merged into an existing Library.

Let’s look at an example of how this can be used.

Imagine a photographer and an editor/retoucher working together. Without Aperture’s Library syncing the photographer would first import photos from a shoot and pick the ones to go to the editor to touch up. Next the photographer would export the photos as master files and send them to the retoucher. After being edited the files would come back to the photographer by being exported as TIFF or PSD files. The photographer would then have to import the files into Aperture, duplicating the size of the Library. Along the way numerous files would be exported and would need to be cleaned up after finishing the work. Messy.

Here’s how that works in Aperture 3

Selecting Images

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Here I have three images selected out of a Project that I want to send to my editor. This could just as easily be every image in this Project, but in this example let’s look at three images.

Organizing Them

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I’m going to put these images into their own Album, as it makes it easier to show off this process.

Name Your Album

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I’ll call this Album "For Retouching"

Export A Library

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Any container in Aperture (Album, Smart Album, Project or Folder) can be exported as a self-contained Library file. Here, I’m going to export this Album as a Library by Right-Clicking on it and selecting Album as New Library… from under the Export menu, or you can select this from the File menu.

Share With Dropbox

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I’m using a web-based service called Dropbox to share this file with my retoucher. Dropbox creates a folder on my desktop that I can put any file or folder into and share that file or folder with anyone else. The files automatically synchronize so there’s no need to email or FTP things back and forth.

In this dialog box I’m selecting Consolidate masters into exported library as my editor needs the original files in order to do adjustment work. If these files just needed metadata, the consolidated masters wouldn’t have to be included, which would make the file smaller.

If I were sending this to someone to do metadata work (keywords, captions, etc.) I would turn off Consolidate masters into exported library and turn on Include Previews in exported library because the preview is all that’s needed to work on metadata.

On My Editor’s Side

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Now my editor simply gets the file in his Dropbox folder and Double-Clicks on it to launch it.

Open The File

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Or he can open it by selecting File>Switch to Library>Other/New… and navigating to the Library.

Edit

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Now my editor adjusts my files. In this case, I’ve just made them all monochrome as an example.

Since my editor is using Dropbox, there isn’t even a need to send this file back to me. When he quits Aperture the file will automatically update on my machine.

Open Again

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Back to my copy of Aperture and now to import the changes and merge them with my Library I open the file up. In this case I’ll open it from File>Library/Project.

Merge

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Aperture will ask if you want to Merge the items or Add them. I want them merged (or I’d end up with two copies) so I’ll press the Merge button.

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Aperture will display a dialog box.

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Here are those three images now merged into my Library.

Here’s an important facet of this—since Aperture syncs Libraries, there wasn’t a need for my editor and I to export files numerous times. The Library that I exported from Aperture to Dropbox was opened by my editor. The file was edited and then I opened up the same file and merged it into my Library. That saved me from having to make numerous import-and-export steps with each one creating more files to manage. Aperture does all the heavy lifting, and I used Dropbox to do the file synchronization between locations.

I could have done this just as easily with my entire library of images as with these three files, the process is exactly the same. This has huge ramifications for people working with more than one Aperture setup. When I’m shooting in the field I’ll create a new Library file and when I return to the office simply select File>Import>Library/Project… and suck those files right into my desktop system. No need to export things and then re-import, I just grab the self-same Library I created on-location and suck the contents of that back into Aperture.

But the slickness of this technique doesn’t end there. Since I’ve still got the Library I shot on location on the laptop, I can take the files with me to a coffee shop or on a plane and do more captioning work, some more adjustments and so on. When I’m done, I simply re-import them to my desktop using the same process above, and Aperture will merge my changes with the files in the desktop Library. It’s an incredibly powerful way to work in a system with more than one computer.

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Author: David Schloss

David Schloss is the director of the Mac Create Network and the Aperture Users Network, a professional photographer, writer, editor and photographic educator who specializes adventure sports, travel and lifestyle photography. Schloss is the author of the books Blue Pixel Personal Photo Coach: Digital Photography Tips from the Trenches and Blue Pixel Guide to Travel Photography: Perfect Photos Every Time. Schloss is the former Technical Editor for Photo District News, a position he held for six years.

7 Comments

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Tony P (1 comments.)

July 31st, 2010

This is brilliant! What happens if you do this with a smart album instead of a project?

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Jeff Flindt (2 comments.)

July 31st, 2010

Great example!! Thanks David!!!

Leighton Oosthuisen

August 2nd, 2010

David. This was excellent. I have been (cautiously) experimenting with the library exports, but this was a great description of how it all works.
Question? I have about 95,000 images in a 1.6 TB library.
Older images are ingested into Apertures 3.0’s library but newer ones I am referencing off an internal 2 TB HD, which is also nearly full.
I would like to export all the older ingested images into a referenced system, as Aperture runs very slowly with the size of library I currently have.
(MacPro 3.0, 20 GB RAM, 8 TB, MacBook Pro 17)

Did I mention I love MacCreate!

David Medina (11 comments.)

August 2nd, 2010

The power of A3!!

Thanks David. Let me show you what I have been doing and see if there is a better way to do it. After a wedding, I import all the images into my MAC PRO. I then do keywords and eliminate bad shots and do the back ups. Then, I export the project as library to an external disc for transport to my second computer (Imac) for post processing. I export just masters with no previews. Then, in the post production iMac I import the library where my tech works on them. After she is done, I export the library from the imac and transport back to my MAC PRO where I merge.

The only thing I do not like is the many exporting and importing I have to do and would love a way to simplify and by what I read there may be a way.

Question… I know I have to export the masters when I initially export as Library, but once I am done post processing in the iMac, is there is a way to export just the adjustment data without exporting again the masters? That would be a much smaller file and I could do it via the wifi net and I would have to just merge that data.

Antony

August 5th, 2010

This ws great until I merged a library where I had deleted a folder with the same name and data as my main library. I lost all files because I used the incoming library to resolve changes !! Painful as I did not have a vault yet of the files

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